Gotta Find My Baby!

July 22, 2025

Still Crazy After All These Years! (CD - TDP, 2014)


Title:
Still Crazy After All These Years!
Label:
Touchdown Productions [TDP-CD25-2014]
Format:
Double CD
Number of tracks:
41
Running time:
92:00
Type of album:
Concert
Linked to:
Unofficial discography
Year:
2014
Recording date:
July 22, 1975
Released:
2014
Singles:
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Still Crazy After All These Years! was a bootleg CD by Touchdown Productions. It covers the July 22, 1975 concert in Asheville, North Carolina. The work is still in print.

Elvis Presley breezed through Asheville, North Carolina virtually unknown in 1955, opening for acts he’d soon eclipse. By the time he reappeared there for three sold-out shows in late July 1975, it was anyone’s guess as to whether the superstar would shine on or burn out.

By mid-1975, Elvis was back in good shape and having fun on stage. Having slimmed down and looking great in his new jumpsuits, he looked rejuvenated and happy to be back on stage.

The Memphis Commercial Appeal noted it perfectly in their review of the Memphis show on June 10:
"It didn't seem to matter what Elvis sang, the audience went wild every time he moved and he made it clear he knew what was turning them on."

In fact, the summer of 1975 was always a popular time for Elvis fans. It was a positive comeback from the emotional roller-coaster of 1974 and before the slide of 1976. The June 6 show in Dallas, featured on the 1980 "Elvis Aron Presley" box, conveyed that impression of renewal magnificently.

By July, Elvis was as great as ever on stage, despite his health issues, and did a fantastic East Coast tour starting on the 8th in Oklahoma City. The concerts still had the same old setlist, but the singer was promoting his new albums - Promised Land and Today - and often surprised the audiences with some new material.

Elvis arrived in Asheville by the afternoon of July 22, 1975. The tickets costed only $10, but for the fans, he was still the undisputed King of Rock 'n' Roll. At the same time, Elvis, addled by teeter-tottering moods and a heaping helping of pills, was at risk of becoming a jester on stage. One of his buddies would later recall that Elvis was then "as unpredictable as a ping-pong ball going down the hallway."

He was getting mighty big, and not exactly in terms of popularity. With faint praise, an Asheville Citizen reporter who attended the first show judged Elvis "paunchy but pretty." Nancy Fox, a local resident at one of the shows, perhaps put it better: "He was still Elvis, just a bigger version of him. He sounded as good as he’d ever sounded, to me."

But bigger Elvis was a handful, with his Asheville stay marked by all his late-period excesses: stellar performances punctuated by bizarre onstage antics, bouts of generosity beset by severe selfishness. It was as though Good Elvis and Bad Elvis were starting their final battle for his soul, which would come to a head all too soon and leave Asheville wanting more.

Asheville was the last stop on Elvis' East Coast Tour, being awarded with three concerts. Elvis was both sincere and flamboyant, both rooted and reeling—and, as was his wont, frequently armed. The stories about what went on in the hours when Elvis was off stage are many and very known to the general public. They may have been kept secret at the time, but there's always someone who'll enjoy sharing one or two cents about Elvis.

Staying at the Roadway Inn east of town, Elvis apparently got off two shots. One afternoon in his hotel room, an emotional Elvis slung his arm around his father, Vernon, who was making a rare tour trip with his son; the embrace was cut short when a pistol in Elvis' hand discharged, sending a round ricocheting before it bounced, spent and harmless, off the chest of Elvis' on-the-road physician. Another afternoon, one of his bodyguards sheepishly approached the hotel manager saying that Elvis had put his foot through the TV screen during an impromptu wrestling match - a couple of years later, a member of Elvis' crew confessed that "Elvis shot the damn thing out of frustration with the set’s spotty vertical hold."

The three shows in the city - the only three he'd do there in the 1970s - were among some of the most memorable of 1975 for their rousing atmosphere and for occasional signs of Elvis' decline.

On July 22, Elvis abandoned the stage mid-song, leaving his band members to introduce themselves and wonder if he’d return. A few minutes later, he was back with a clear and shameless expanation: "I had to go to the bathroom." But Elvis was ever the crowd-pleaser in Asheville, even taking audience song requests, which he rarely did. That night, he'd sing a solo version of "Why Me Lord?", "Shake a Hand", "Memphis Tennessee"and "Mystery Train / Tiger Man".

Elvis was scheduled to return to Asheville on August, 26, 1977 for another performance at the Civic Center. Again, the show sold out - but, as we know, he never made it. Asheville fans were distraught but sprang to action, and on the scheduled concert date, a committee of locals instead held a memorial service where The Stamps Quartet debuted "Elvis Has Left the Building".

The Asheville concert of July 22, 1975 was first released through PA as "Live in Asheville" in 2002 and was re-released by Touchdown Productions as "Still Crazy After All These Years!" in 2014. All three concerts were released together and with enhanced audio for the first time by AudiRec in 2018 as "The Asheville Marathon '75".

Below we review the July 22, 1975 concert in Asheville.

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CD 1

- 1. Also Sprach Zarathustra: The usual fanfare makes the audience go wild. The tape sounds really good for its age.

- 2. See See Rider: Elvis enters the stage to a roaring audience and starts the song with a really strong voice. He is obviously having fun throughout.

- 3. I Got a Woman / Amen: Elvis addresses some fans with a sign that read "10th Elvis concert". After a brief "well, well, well" routine, he does an amazing version of "I Got a Woman" where he and his band sound excited. "Amen" is particularly good because Elvis asks the audience to join him and the backing vocals in an extra long version that resembles a lot black church spirituals he used to hear in Memphis in his youth.

- 4. Monologue: Elvis talks to fans and takes a request.

- 5. Big Boss Man: It's so good to hear Elvis when he is set to please. This version is one of the best - if not the best - that year. He does a quick reprise of the ending.

- 6. Monologue: After some more talk to the fans, the singer takes another request.

- 7. Why Me Lord: Elvis promptly starts to sing the 1973 hit by Kris Kristofferson. It wasn't a rare piece by the time, but this version is unique and rare because Elvis sings solo.

- 8. Having Fun With the Band: Elvis talk to fans and teases the band.

- 9. Love Me: Of course Elvis had to do the standard hits, so they starts here. The version is average at most, if compared to the others so far. Routine wasn't really between Elvis' interests by then.

- 10. If You Love Me (Let Me Know): This is definitely one of the best versions in 1975. Elvis sings his all while attending fans.

- 11. Elvis About His Album "Today" "We had an album out recently, ladies and gentlemen, and in the album there's a song..." Elvis gets distracted before continuing: "In the album there's a song, called 'Shake a Hand'."

- 12. Looking For the C Chord: Elvis takes his time looking for the right chord to start the song.

- 13. Shake a Hand: Elvis sings one of the best tracks from his "Today" album for the first time and totally unrehearsed. This is an amazing version and Elvis is having fun with it, even asking the backing vocals to go "heavier" at the end. 

- 14. All Shook Up: Back to the routine basics, this is a pretty good version.

- 15. Teddy Bear / Don't Be Cruel: Boredom takes Elvis' voice while he gives kisses and scarves to fans.

- 16. Hound Dog: A pretty good but average version.

- 17. The Wonder of You: Always a showstopper, it starts without any instrumental introduction here. In a way, it resembles a lot the 1970 versions.

- 18. Elvis Jokes About the Creepin' Crud: Elvis gives out scarves and kisses. He then does the usual joke about a fan who kissed him and gave him "the creeping crud". He spends three and a half minutes talking to fans before taking another request.

- 19. Memphis Tennessee: This rare gem starts right away and the band manages to keep together and follow through. The audience sings and claps along. This would the last rendition of the song ever.


CD 2

- 1. Funny How ime Slips Away: Fairly routine, but with Elvis doing a great job and a double ending.

 - 2. Polk Salad Annie: With 50 minutes of show, Elvis starts the segment which leads to the band introductions. The song is well done and Elvis excels at the karate chops at the end, but there's a cut which removes a part of the tape with a really bad distortion. Out of nowhere, Elvis asks JD to do the introductions and excuses himself from the stage.

- 3. Introductions Pt. 1 By JD SumnerLooking lost, JD introduces The sweet Inspirations.

- 4. Johnny B. Goode by James Burton: Not hearing Elvis sing along is really strange.

- 5. Drum Solo By Ronnie Tutt: Ronnie does his usual solo.

- 6. Bass Solo by Jerry Scheff: Jerry plays the Blues.

- 7. Piano Solo By Glen D. Hardin: Glen does his solo.

- 8. Introductions Pt. 2 By JD SumnerJD finishes the introductions with Charlie Hodge, Voice, Kathy Westmoreland, The Stamps Quartet, Joe Guercio and his orchestra.

- 9. School Days: The orchestra does its solo. Elvis returns to stage.

- 10. T-R-O-U-B-L-E: Elvis does an amazing rendition of the song that opens his "Today" album. JD sounds quite off in the first stanza, and rightly so. The ending is extra long and fun.

- 11. Bathroom Explanation: Elvis explains why he had left the stage: "I had to go to the bathroom in the middle of the show. So I beg your pardon. Thank you, JD."

- 12. It's Now or Never: "Ladies and gentlemen, my top record." Elvis sounds really good here and does an above average version.

- 13. You Don't Have to Say You Love Me: The song had retuned to the setlist in 1974 after two years out and Elvis does a good rendition here. This is the last version live ever.

- 14. How Great Thou Art: Gospel songs were always Elvis' best songs in concert. He does a fantastic rendition and asks for a reprise of the ending, in which he outdoes himself. 

- 15. Burning Love: The 1972 hit is done in a very good way, with Elvis going hard at the notes. He apparently decided to cut the song short or forgot the last stanza, because the band sound really messy while trying to set things right.

- 16. Audience Talk: Elvis talks about his shows and how his people nag at him when he goes over an hour of show (the concert had hit the 1 hour and 20 minutes mark), but remarks that he only wants to have fun and doesn't care about time.

- 17. Let Me Be There: Olivia Newton-John's hit is done fairly well. There's no reprise at the end.

- 18. Heartbreak Hotel: Elvis enjoys himself with the song, but forgets the words in a part. Nothing worthy of note, though.

- 19. Little Darlin': Del Shannon's hit gets a very good version done in a serious way.

- 20. Mystery Train / Tiger Man: A medley that always made Elvis happy, it couldn't be left out here. The rendition is quite good.

- 21. Present to JD Sumner: Elvis talks about how he met JD when he was 16 and thanks him for being a loyal friend and coworker. He gives JD a 40 thousand dollar diamond ring.

- 22. Can't Help Falling in Love: A standard but pretty good version of the 1961 hit ends the show. We hear a small snippet of the "Closing Vamp" at the end of the track.


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